篇一：泰戈尔经典爱情英语诗歌
泰戈尔经典爱情英语诗歌：Lamp of Love 爱之灯
Light, oh where is the light? 光，哦哪里有光？
Kindle it with the burning fire of desire! 让渴望的熊熊烈火去点燃它
There is the lamp but never a flicker of a flame---is such thy fate, my heart?
Ah, death were better by far for thee!
这是一盏灯而从不是一次火光的闪烁----这是你的命运吗，我的心？
啊，死亡往大里说对你更好
Misery knocks at thy door,
悲惨敲打着你的门
and her message is that thy lord is wakeful,
而她告诉你，你的神已经觉醒
and he calls thee to the love-tryst through the darkness of night.
他在夜的漆黑中呼唤你去赴爱的约会
The sky is overcast with clouds and the rain is ceaseless.
天空多云而阴沉，雨水从未断绝
I know not what this is that stirs in me---I know not its meaning.
我不知道什么在搅动着我的内心---我不知道它的意思
A moment's flash of lightning drags down a deeper gloom on my sight,
and my heart gropes for the path to where the music of the night calls me.
曾有一瞬间的闪电在我眼中拉下了更深的阴影，而我的心在探索着一条道路，夜的音乐呼唤着我到那里去
Light, oh where is the light!
光，哦哪里有光？
Kindle it with the burning fire of desire!
让渴望的熊熊烈火去点燃它
It thunders and the wind rushes screaming through the void.
它雷动着且狂风呼啸冲撞于旷野
The night is black as a black stone.
夜黑得如一块黑色的石头
Let not the hours pass by in the dark.
不要让时光在黑暗中消逝
Kindle the lamp of love with thy life.
以你的生命去点燃爱的灯座
Thewish 心愿 by Alexander Puskin 普希金
I shed tears my tears--my consolation
and I am silent my murmur is dead
my soul ,sunk in a depression's shade
hides in its depths the bitter exultation
默默无言在哭泣，
眼泪是唯一的安慰，
山盟海誓梦一场，
我心难过又彷徨，
I don't deplore my passing dream of life--
vanish in dark the empty apparition!
I care only for my love's infliction
and let me die, but only die in love!
世间一切伤心事，
我要把它放一旁，
我只为爱情而悲伤，
只为爱情来死亡。
乔叟A Rondel of Merciless Beauty 无情美人回旋曲 Your two great eyes will slay me suddenly
Their beauty shakes me who was once serene
Straight through my heart the wound is quick and keen Only your word will heal the injury
To my hurt heart,while yet the wound is clean_
你那迷人的双眸足以在瞬间摄取我的魂魄
她们的美丽夺走了我的昔日的安宁
如锋利的刀刃迅疾刺破我的心房
只有你的话语才能痊愈
我的创伤，趁着这伤口还很洁净—
Your two great eyes will slay me suddenly
Their beauty shakes me who was once serene
Upon my word,I tell you faithfully
Through life and after death you are my queen
For with my death the whole truth shall be seen
你那迷人的双眸足以在瞬间摄取我的魂魄
她们的美丽夺走了我的昔日的安宁
请相信我的话，因为这是我最真诚的倾诉
无论在人间还是天堂，你都是我的女王
我的死将会向你揭示所有的真相
Your two great eyes will slay me suddenly
Their beauty shakes me who was once serene
Straight through my heart the wound is quick and keen 你那迷人的双眸足以在瞬间摄取我的魂魄
她们的美丽夺走了我的昔日的安宁
如锋利的刀刃迅疾刺破我的心房
SONG 歌 John Donne 中英对照：
GO and catch a falling star, 用曼德拉草变回孩提原形， Get with child a mandrake root, 就像追逐一颗陨落的流星， Tell me where all past years are, 何处能找回逝去的光阴。 Or who cleft the devil's foot, 是谁拖长了恶魔的脚印，
Teach me to hear mermaids singing, 教会我倾听人鱼的乐音， Or to keep off envy's stinging, 让我摆脱嫉妒的心，
And find 然后感受，
What wind 一阵微风，
Serves to advance an honest mind. 拂起升华的灵。
If thou be'st born to strange sights, 如果你要看独特的风景 Things invisible to see, 勇于尝新
Ride ten thousand days and nights, 游历你一生的光阴 Till age snow white hairs on thee, 直到白发结上双鬓。
Thou, when thou return'st, wilt tell me, 当你回来，讲给我听 All strange wonders that befell thee, 一切事情你曾历经 And swear, 然后相信
No where 这个世界
Lives a woman true and fair. 没有真实美丽的女人心
If thou find'st one, let me know, 如果找到，讲给我听
Such a pilgrimage were sweet; 如此甜蜜一定不虚此行 Yet do not, I would not go, 但找不到，我也不愿远行
Though at next door we might meet, 尽管下一次邂逅我们相信 Though she were true, when you met her, 尽管她真实你也能看清 And last, till you write your letter, 直到，你写下这封信
Yet she 而她已经
Will be 铸成错误
False, ere I come, to two, or three. 在我来之前已有人光临 歌
去吧，跑去抓一颗流星，
去叫何首乌肚子里也有喜，
告诉我哪儿追流年的踪影， 是谁开豁了魔鬼的双蹄， 教我听得见美人鱼唱歌， 压得住酷海，不叫它兴波， 寻寻看
哪一番
好风会顺水把真心推向前。 如果你生来有异察，看得见 人家不能看见的花样， 你就骑马一万夜一万天， 直跑到满头顶盖雪披霜， 你回来会滔滔不绝地讲述 你所遭遇的奇怪事物， 到最后
都赌咒
说美人而忠心，世界上可没有。 你万一找到了，通知我一句 向这位千里进香也心甘； 可是算了吧，我决不会去， 哪怕到隔壁就可以见面； 尽管你见她当时还可靠， 到你写信了还可以担保， 她不等
我到门
准已经对不起两三个男人。
篇二：英文诗歌赏析方法
英文诗歌赏析方法
英诗的欣赏：诗的格律、诗的押韵、诗的体式、诗的评判。
诗以高度凝结的语言表达着人们的喜怒哀乐，用其特有的节奏与方式影响着人们的精神世界。诗讲究联想，运用象征、比喻、拟人等各种修辞手法，形成了独特的语言艺术。
一、 诗的格律
“格律是指可以用脚打拍子的节奏”，是每个音步轻重音节排列的格式，也是朗读时轻重音的依据。而音步是由重读音节和非重读音节构成的诗的分析单位。重读音节为扬（重），在音节上用“－”或“?”标示，非重读音节为抑（轻），在音节上用“?”标示，音步之间可用“／”隔开。以下是五种常见格式：
1. 抑扬格（轻重格）Iambus：是最常见的一种格式，每个音步由一个非重读音节加一个重读音节构成。
As fair / art thou / my bon/nie lass，
So deep / in luve / am I ：
And I / will luve / thee still，/ my dear， Till a` / the seas / gang dry：
Robert Burns（1759-1796）： My Luve Is like a Red， Red Rose
注；art=are luve=love bonnie=beautiful a`=all gang=go
上例中为四音步与三音步交叉，可标示为：?－／?－／?－／（?－）
2.扬抑格（重轻格）Trochee：每个音步由一个重读音节加一个非重读音节构成。下例中为四音步扬抑格（少一个轻音节），可标示为：－?／－?／－?／－Tyger！/ Tyger！/ burning / bright
In the / forests / of the / night
William Blake： The Tyger
3. 抑抑扬格（轻轻重格）Anapaestic foot： 每个音步由两个非重读音节加一个重读音节构成。如：三音步抑抑扬格??－／??－／??－
Like a child / from the womb，
Like a ghost / from the tomb，
I arise / and unbuild / it again.
4. 扬抑抑格（重轻轻格）Dactylic foot： 每个音步由一个重读音节加两个非重读音节构成。如：两音步扬抑抑格－??／－??
?Touch her not / ?scornfully，
?Think of her / ?mournfully.
- Thomas Hood
5. 抑扬抑格（轻重轻格）Amphibrach：每个音步由一个非重读音节加一个重读音节再加一个非重读音节构成。如：三音步抑扬抑格?－?／?－?／?－?下例中最后一个音步为抑扬格。
O ?hush thee / my ?babie / thy ?sire was / a knight.
在同一首诗中常会出现不同的格律，格律解析对朗读诗歌有一定参考价值。现代诗中常不遵守规范的格律。
二、 诗的押韵
押韵是指通过重复元音或辅音以达到一定音韵效果的诗歌写作手法。
1. 尾韵：最常见，最重要的押韵方式。
1） 联韵：aabb型。
I shot an arrow into the air，
It fell to earth， I knew not where；
For， so swiftly it flew， the sight
Could not follow it in its flight.
Hey Wadsworth Longfellow： The Arrow and the Song
2） 交叉韵：abab型。
Sunset and evening star，
And one clear call for me！
And may there be no moaning of the bar，
When I put out to sea，
Alfred Tennyson（1809-1892）： Crossing the Bar
3） 同韵：有的诗押韵，一韵到底，大多是在同一节诗中共用一个韵脚。
如下例就共用／i：p／为韵脚。
The woods are lovely， dark and deep，
But I have promises to keep，
And miles to go before I sleep，
And miles to go before I sleep.
Robert Frost （1874-1963）： Stopping by Woods on a Snowy Evening
2. 头韵：是指一行（节）诗中几个词开头的辅音相同，形成押韵。下例中运用／f／、／b／与／s／头韵生动写出了船在海上轻快航行的景象。
The fair breeze blew， the white foam flew，
The furrow followed free，
We were the first that ever burst
Into that silent sea.
T.S. Coleridge： Rime of the Acient Mariner
3.内韵（同元音）：指词与词之间原因的重复形成的内部押韵。
下面一节诗中／i／及／iη／重复照应，呈现出一派欢乐祥和的气氛。
Spring， the sweet spring， is the year?s pleasant king；
Then blooms each thing， then maids dance in a ring，
Cold dath not sting， the pretty birds do sing：
Cuckoo，jug-jug，pu-we，to-witta-woo！
Thomas Nashe（1567-1601）： Spring， the Sweet Spring
三、 诗的体式
有的诗分成几节（stanza），每节由若干诗行组成（每行诗均以大写字母开头）；有的诗则不分节。目前我们常见的诗体有：
1. 十四行诗（Sonnet），源于中世纪民间抒情短诗，十三、十四世纪流行于意大利，意大利彼特拉克（Petrarch）为代表人物，每行十一个音节，全诗一节八行，加一节六行，韵脚用abba， abba， cdcdcd （cdecde）。前八行提问，后六行回答。
后来，怀亚特（ThomasWyatt，1503-1542）将十四行诗引人英国，五音步抑扬格，全诗三个四行一个二行，前三节提问，后二句结论。斯宾塞（EdmundSpenser，1552-1599）用韵
脚 abab， bcbc，cdcd，ee.莎士比亚（WilliamShakespeare，1564-1616）用韵脚abab，cdcd，dfdf，gg，称英国式或莎士比亚式。举例见本文第四部分。
2. 打油诗（Limericks）：通常是小笑话甚至是胡诌，一般没有标题也无作者姓名，含有幽默讽刺性，常运用双关，内韵等手法。每首诗五个诗行，押韵为aabba，格律以抑扬格和抑抑扬格为主。
1） There was a young lady of Nigger
Who smiled as she rode on a tiger；
They returned from the ride
With the lady inside，
And the smile on the face of the tiger.
2） A tutor who taught on the flute
Tried to teach two tooters to toot，
“Is it harder to toot， or
Said the two to the tutor，
To tutor two tooters to toot？“
3. 无韵体（Blank Verse）：五音步抑扬格，不押韵诗体。
Across the watery bale ， and shout again，
Responsive to his call， - with quivering peals，
And long halloos， and screams， and echoes loud.
Redoubled and redoubled：concourse wild
Of jocund din！…
William Wordsworth： There Was a Boy
4. 自由诗（FreeVerse）：现代诗中常见的体式，长短不同的诗行存在于同一首诗中，不讲究押韵与格律，只注重诗歌所表达的意象和传递的情感。美国诗人WaltWhitman的>（Leaves of Grass）中，就采用此格式。例子见第四部分。
四、 诗的评判
对一首诗，个人的感受会有不同。节奏流畅，语言精炼，联想新颖的诗可算是好诗。堆砌词藻，一味抒发感情而无实际内容的诗，只能是下乘的诗。
二十世纪英美诗歌大量采用自由诗体，接近口语，可谓大胆创新，大概也是诗歌发展的大势所趋吧。以下通过三首诗的分析看诗的评判。
1. That Time of Year
That time of year thou may?st in me behold
When yellow leaves，or none，or few， do hang
Upon those boughs which shake against the cold，
Bare ruined choirs where late the sweet birds sang，
In me thou see?st the twilight of such day
As after sunset fadeth in the west，
When by and by black night doth take away，
Death?s second self， that seals up all in rest.
In me thou see?st the glowing of such fire，
That on the ashes of his youth doth lie.
As the deathbed whereon it must expire，
Consumed with that which it was nourished by.
This you perceivest， which makes thy love more strong，
To love that well which thou must leave ere long.
Notes：may?st：may behold：see late：no long ago thou：you see?st：see
fadeth：fades doth：does seals up all at rest：彻底埋葬
thy：your perceivest： perceive ere long： before long
此诗是莎士比亚（William Shakespeare， 1564-1616）的一首十四行诗。作为英国文学巨匠，他以37部剧作和154首十四行诗屹立于世界文坛。
此诗为五音步抑扬格，每个诗行格律为：?－／?－／?－／?－／?－／。
全诗涉及衰老、死亡及爱情问题。前十二行：通过描写深秋的树枝黄叶凋零，曾是百鸟争鸣的歌坛，联想到自身青春会如夕阳消逝在远方，被黑夜吞没；自身的青春会如将尽的柴火奄奄一息，被曾滋养过它的火焰焚化。其中choirs（歌坛），deathbed（灵床）使用暗喻手法，同时又用夕阳和柴火象征人的衰老死亡。最后两行：点题，人们对即将永别的东西会更珍惜。本文动词变化具有明显的伊利沙白时代的特点。
2. The Daffodils
I wandered lonely as a cloud
That floats on high o?er vales and hills，
When all at once I saw a crowd，
A host of golden daffodils；
Beside the lake， beneath the trees，
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the Milky Way，
They stretched in never-ending line
Along the margin of a bay：
Ten thousand saw I at a glance，
Tossing their heads in sprightly dance.
The waves beside them danced； but they
Outdid the sparkling waves in glee：
A poet could not but be gay，
In such a jocund company：
I gazed - and gazed - but little thought
What wealth the show to me had brought：
For oft， when on my couch I lie
In vacant or in pensive mood，
They flash upon that inward eye
Which is the bliss of solitude；
Ans then my heart with pleasure fills，
And dances with the daffodils.
Notes： a crowd， a host of： many sprightly：happy glee：joy
jocund：happy bliss：complete happiness pensive：sadly thoughtful
华兹华斯（WilliamWordsworth，1770-1850），十九世纪初英格兰北部湖区三大“湖畔派诗人”（浪漫主义）之一。此诗向我们描绘了一幅美好的自然景象，同时抒发作者对自然美景的喜欢。黄水仙据说是威尔士国花（1282年，威尔士归顺英格兰，被封公国），在英国广泛栽种，春季开花，花期不长。有许多关于黄水仙的诗歌，这首诗无疑是脱颖而出的。
全诗语言精炼，通俗易懂，四音步抑扬格，分四节（stanza），每节6行，每节押韵均为ababcc.第一节写诗人孤寂时外出散步，偶遇水仙；第二节写水仙争相开放，千姿百态；第三节，诗人看到这景象感到欣喜异常；第四节写诗人在日后忧郁时，回想当时情景，又让他心中充满了欢乐，随着水仙跳起舞来。
3. Song of Myself
I celebrate myself， and sing myself，
And what I assume you shall assume，
For every atom belonging to me as good belongs to you.
I loafe and invite my soul，
I learn and loafe at my ease observing a spear of summer grass.
My tongue， every atom of my blood， form?d from this soil， this air，
Born ere of parents born here from parents the same， and their parents the same，I， now thirty seven years old in perfect health begin，
Hoping to cease not till death.
Creeds and schools in abeyance，
Retiring back a while sufficed at what they are， but never forgotten.
I harbor for good or bad， I permit to speak at every hazard.
Nature without check with original energy.
Notes： a spear of： a piece of school：学说，流派 hazard：chance
abeyance： the condition of not being in use for a certain time
惠特曼（Walt Whitman，1819-1892），美国诗人。此诗选自其巨著。本文是Song of Myself 一诗的第一部分，采用自由诗体，语言接近当时的美国口语。
文中I指作者，you指读者，这种写法使读者身临其境，进入作者描写的世界。作者在文中表明人的价值是平等的，同时他把自己融入到自然带给他的启发思考中。
从上看出，诗歌的欣赏评判并非可望而不可及，关键要抓住诗中的意象，了解其语义，以便把握诗的大意。纵然每个人的读后感会有不同，但每个人都会在阅读过程中感受到诗歌带来的美和精神上的共鸣。
篇三：A Red,Red Rose 浪漫英诗,带注翻译和英文评析
A Red, Red Rose
--Robert Burns
O my Luve 's like a red, red rose,
That 's newly sprung in June;
O my Luve 's like the melodie,
That's sweetly play'd in tune!
As fair art thou, my bonnie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a' the seas gang dry.
Till a' the seas gang dry, my dear,
And the rocks melt wi' the sun;
I will luve thee still, my dear,
While the sands o' life shall run.
And fare thee weel, my only Luve,
And fare thee weel a while!
And I will come again, my Luve,
Tho' it were ten thousand mile! 5 10 15
Notes:
1 [luve] (Scottish dialect) love. 3 [melodie] melody4 [in tune] harmoniously 5 [art thou] are you 5 [bonnie] beautiful 6 [lass] (Scottish) a girl or a young woman
5,6 [As fair art thou, my bonnie lass, /So deep in luve am I] My love is as deep as you are beautiful
7 [still] always8 [a’] all 8 [gang] go 10 [w’] with
12 [While the sands o’ life shall run] As long as I am alive. Sands: time. o': of.
13 [fare thee weel] fare you well; farewell, good-bye to you.
15 [tho’] though
Notes from 胡家峦编《英语诗歌精品》（英汉对照）
[Robert Burns] (罗伯特·彭斯, 1759- 1796) (also known as Rabbie Burns, Scotland's favourite son, the Ploughman Poet,) was a Scottish poet and a lyricist. He is widely regarded as the national poet of Scotland, and is celebrated worldwide. He is the best known of the poets who have written in the Scots language, although much of his writing is also in English and a "light" Scots dialect, accessible to an audience beyond Scotland. He is regarded as a pioneer of the Romantic movement.
As well as making original compositions, Burns also collected folk songs from across
Scotland, often revising or adapting them. His poem (and song) “Auld Lang Syne” is often sung at Hogmanay (the last day of the year), and “Scots Wha Hae” served for a long time as an unofficial national anthem of the country. Other poems and songs of Burns that remain well-known across the world today include “A Red, Red Rose;” “A Man's A Man for A' That;” “To a Louse; To a Mouse;” “The Battle of Sherramuir;” “Tam o' Shanter,” and “Ae Fond Kiss.”
From http://en.wikipedia.org
《关于爱情的英文诗歌品析》出自：百味书屋
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